Alexander has a broad repertoire and experience from buffo roles to leading men. Amongst others, he has been a soloist under the batons of Sir Georg Solti, Kent Negano, Simon Halsey, Sir Edward Downes, Sir David Wilcocks, Pier Giorgio Morandi, Edward Gardner, Noel Davies, Tobias Ringborg and Daniel Harding and studied under many world class artists including Dame Kiri Te Kanawa, Nicolai Gedda, Frederica von Stada and Sir Thomas Allen. Over the course of his career he has received consistent critical acclaim from the broadsheets and magazines: Opera Magazine hailed his professional debut in 2003 as Peter Quint in Britten’s Turn of the Screw as a “triumph”. Career highlights include Don José for Malmö Opera, the Son/Tenor 1 in Weill’s Die Sieben Todsünden under David Radok at Göteborgs Operan, his Swiss debut as the Armed Man / Priest in Die Zauberflöte under Daniel Harding at the Lucerne Festival, Switzerland; his Finnish debut as Don Ramiro under the baton of Pier Giorgio Morandi with the Finnish National Opera; his Swedish debut receiving acclaim for his interpretation of Magnus Gabriele de la Gardie in Foroni’s bel canto opera Cristina Regina di Svezia at the Vadstena Opera Festival under Tobias Ringborg; Don Ramiro, La Cenerentola for Malmö Opera under Brad Cohen; Don José (cover) and Remendado Carmen under Marcello Mottadelli at Opera På Skäret. His Count Danilo in Lehar’s The Merry Widow for Scottish Opera was described as “the Danilo of one’s dreams” (Opera Magazine). Other highlights include the roles of Le Nos, Pytor and Yarishkin in Le Nos (Shostakovich) at Royal Opera House 2; Trio, Trouble In Tahiti (Bernstein) and Charlie, Mahagonny Songspiel (Weill) all under the directorship of the Royal Opera’s associate director, John Fulljames for The Opera Group; Pierrot, Der Kaiser von Atlantis (Ullmann) under Edward Gardner and the Hallé Orchestrawhich he reprised for Upfront Opera; and Lupo with the composer Hans Werner Henze as conductor on his children’s opera Pollicino. Other roles include Bajazet, Tamerlano; Hippolyte Hippolyte et Aricie (Lully) and Telemachus Il Ritorno d’UIisse in Patria (Monteverdi) for Yorke Trust Opera; Pedrillo Il Seraglio for Scottish Opera; Count von Zedlau Wiener Blut and Eisenstein, Die Fledermaus for Clonter Opera; Chinese Man The Fairy Queen (Purcell) for Armonico Touring Opera; Dottore The Jewel Box (Mozart) for Bampton Classical Opera; Fenton Die Lustigen Weiber von Windsor (Nicolai) for Cumbria Opera; Mercury Orpheus in the Underworld (Offenbach) for BYO; Ben The Telephone (Menotti) for Ludlow Opera; Borsa Rigoletto (Verdi) for Mid Wales Opera; Remendado Carmen (Bizet) for Stowe Opera, Ralph Rackstraw HMS Pinafore (Sullivan) for Phoenix Opera; Colonel Fairfax Yeomen of the Guard (Sullivan) for West Cumberland Opera; Rapunzel’s Prince Into The Woods (Sondheim), Dr Caius Falstaff (Verdi), Chekalinsky Pique Dame (Tchaikovsky), Monsieur Taupe Capriccio (Strauss), Oronte Alcina (Handel), Egisto L’Egisto and La Théière L’Enfant et les Sortilèges, Ravel.

Repertoire + JumP-IN Ready Roles

Opera, Oratorio + Concert